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Their project repairs their bond, but also reinforces the grief Pietro feels not only with his father but with Bruno, as he mourns the experiences lost to separation and stubbornness. Bruno has firmly planted his roots at home, while Pietro’s ambition leads him to become a writer and venture out to Nepal. Reunited with Bruno (Borghi), the pair build a new cabin together and silently wrestle with how much they’ve grown apart. “My life seemed partly that of a man, that of a boy,” Pietro says at one point through voiceover, as if with each time he returns, Grana is in a stasis where he’s reduced to that boy once unencumbered by life. As an adult, Pietro (Marinelli) inherits a plot of land on the mountain from his father and finds himself drawn back to Grana. When Pietro’s parents suggest taking Bruno back to Turin for schooling, his father forces him to work on construction sites every summer, separating the two friends for the next 15 years. The film is marvelous to look at, using wide shots and long takes to absorb the sheer magnitude of the scenery of Grana. When Pietro’s father returns from his factory job, he takes the boys along for hikes up the surrounding mountains and glaciers, though Pietro’s altitude sickness prevents him from keeping up. A scene where the boys wrestle in a field is captured with an extreme close-up on their wide smiles, setting the foundation for Pietro and Bruno’s quixotic memories that stay with them to adulthood. If “Beautiful Boy” was doused in raw, tear-stricken emotion in lieu of genuine intimacy, “The Eight Mountains” is a marked improvement for its unabashed sincerity. The film spends its first 30 minutes with the boys as they run through tall grass, climb up abandoned houses and explore their sleepy town. With the lack of people around to enjoy childhood with, it’s unsurprising that, despite their opposing personalities, the hardened Bruno takes to timid city kid Pietro. There, he meets Bruno ( Cristiano Sassella), who laments being the “last child in the village”, as the population of his home has dwindled from 183 to a measly 14. On his summer vacations with his mother in the ‘80s, he revels in the endless open space and the isolation, soundtracked only by rustling insects and rolling streams. The alpine town of Grana operates as a kind of Eden-like escape for 12-year-old Pietro ( Lupo Barbiero). READ MORE: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch
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Following Groeningen’s solo effort, 2018’s “ Beautiful Boy,” “ The Eight Mountains” is a quiet return to form with its stunning mountain scenery and strong performances from Luca Marinelli and Alessandro Borghi, but this elegiac personal epic is far too languid for its length. For his most subdued film yet, Belgian director Felix van Groeningen, along with co-directing partner Charlotte Vandermeersch take to the Italian Alps for a decades-spanning story of friendship.